First LONDON INCOGNITA review

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A great first review is in for London Incognita, from Jackie Law on the Never Imitate blog. A flattering and perceptive review:

The London portrayed is home to the homeless – druggies and ghosts. Graffiti and rubbish abut closed off building sites, keeping the discarded from areas now shiny and gentrified. Beneath are the sewers, where giant rats gorge on fatburgs, and a mythical queen lures urban explorers…

I have read several, excellent non fiction books about urban explorers and psychogeographers seeking out the mostly unregarded aspects of well traversed spaces. This short story collection does this masterfully, with the addition of melancholy wraiths and the Londoners whose lives they change. It is a dark love story to the city.

You can review the full review here: https://neverimitate.wordpress.com/2020/10/02/book-review-london-incognita/

UNCERTAINTIES VOL. 4

I am very happy to say that my story ‘We Pass Under’ is included in the upcoming edition of Uncertainties, published by Swan River Press and edited by Timothy J. Jarvis

Numbered edition of 100 also available while supplies last.

You can PRE -ORDER here

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BUILT ON SAND ARRIVES

Last week saw the arrival of the new novel published by Influx Press, BUILT ON SAND by Paul Scraton. I’ve been out and about with Paul, visiting various bookstores to sign copies of the book, and launching the novel at Burley Fisher Books in London, and the The Book Corner, Halifax

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HOW TO USE PLACE AND SETTING IN YOUR FICTION

February 12th 2019, I am running a workshop at the Idea Store in Whitechapel – HOW TO USE PLACE AND SETTING IN YOUR FICTION. All the information can be found here: https://www.spreadtheword.org.uk/events/how-to-use-place-and-setting-in-your-fiction-with-gary-budden/


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ABOUT THE EVENT

In this two-hour workshop the author of Hollow Shores, Gary Budden, will talk you through how to maximise the locations you use to set your fictions in, discussing what role the landscapes – rural, suburban and urban – play in the stories we tell and how they affect the narrative.

Looking at key examples in fiction followed by writing exercises, this session will give you the tools to you make the most of your setting, be it an evocative background or the central driver of your narrative.